This Drifting Poo Was Way Too Meaningful! It's the Television Letdowns of the Year.

As we consider the television offerings of the recent year, a selection of series stand out not for their brilliance, but for their notable failures. Ranging from awkward sequels to bafflingly bad docuseries, here are the programmes that had us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive follow-up? Burdened with dreadful writing, cringe-inducing character development (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to justify its existence. For a moment, as the final season started, it seemed as if it had finally found its groove. Then came an episode all about Seema’s natural deodorant. Little surprise the showrunner declared this would be the final season. It concluded on a bum note; the closeup of Miranda’s loo flooded with poo was simply too on-the-nose. Still, fans certainly had a hoot dissecting every single “what on earth?” moment. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who couldn't release a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the smallest of this show's problems. The subject of a exceedingly uncommon zero star assessment, it was hard to know where to start enumerating the problems. The laughably wooden dialogue? The tedious veneration of wealth and materialism? The almost wilful procession of tropes? Acting so poor they felt almost spiteful? Suffice it to say “all of the above” and forget about this show again. However, a new season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Given the restraining orders, domestic violence allegations and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this multi-part docuseries which chuckled along at Sheen’s various episodes of self-destructive hedonism while failing to tell us a single thing we didn’t already know. Instead, it felt as if this volatile personality was being indulged, so any pity this show might evoke should be reserved for the people who have had to suffer proximity with this charismatic but flippant narcissist.

The Supercomputer Drama

Of course we understood it was preposterous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of sheer admiration for its leads … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Dodgy characters convening in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many look a little dated now, but at least they didn’t suffer the ignominy of having to indulge unconvincing accents. But there were plenty of other problems. Mainly that it was just profoundly dull; a conflict over drug-selling territory between various London picaresques which seemed rather simplistic.

The Meghan Markle Series

Considering the extent to which she grinds the gears of certain ostentatiously angry commentators, it’s almost easy to applaud the Duchess of Sussex’s various forays into twee homemaking as intentional provocations. But then you watch them and are forced to admit that in this case, they may have a point. It’s like watching a lifestyle magazine animated; a poster for wine o’clock with ideas of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental sayings and pointless crafting “tips” you’ll not remember instantly. All supported by immense, largely unearned wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be discussed about regarding Victoria Beckham and her journey with vocation, self-image, self-acceptance. But for whatever reason, this three-part series chose not to explore them. Rather, the viewing was akin to consuming a sales catalogue. She clearly has every right to resent what she describes as her “stern” image. But sadly, she didn’t do herself any favours with this cagey letdown of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even camper, with a glamorous star as a deceased benefactor and a well-known personality overseeing her inheritance. What more could you want? As contestants battled it out, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s still too complicated to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The show ended up smelling of a production that was trying way too hard to emulate something far greater than it.

The Lena Dunham Romcom

How do you follow a show that defined a generation? The pressure was immense for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was a delight to watch, embodying Jane Austen levels of romantic notions. But it was all very glossy and, ironically, was not enough. Plus, the abundance of famous cameos involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the shrewd inclusion of gifted emerging comics, expectations were high. But unhappily, most of it fell flat. A particular sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated sensitively. Instead, the series struggled painfully to find the right tone, lurching from strangely breezy, slightly stylised farce to ultimately, real-life horror. Twisted? Perhaps. A total mess? Absolutely.

The Maths Genius Thriller

We love the star … but did we buy him playing the greatest maths genius since, a man so smart he’s on the brink of a breakthrough that could ruin society? Nope! This globe-trotting thriller about secret services targeting – and killing off – intellectuals frankly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality notorious for explicit escapades as she undertook her biggest challenge yet. What on earth would motivate her? What we craved was way more examination of her true psychology, plus those of the men in the line. They could at least have spoken to the now-famous mum who showed up to drag her son out of the queue. What we got was disturbing shots and zero interrogation of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Robin Petty
Robin Petty

Tech enthusiast and writer exploring cutting-edge innovations and digital culture.